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Why did we stop smelling the roses? Are there suddenly so many roses that we’ve stopped appreciating them, or did we just stop stopping. This gestural, impressionistic photography dramatizes the beauty of nature through the lens of our increasingly short attention spans. Photography is said to capture a moment in time—this work defies that convention. Familiar subjects linger but soften like partially formed memories.
I pioneered a printing technique to create tangible relief and a painterly texture, and designed substantial white lacquer frames that help define this series.
